preload

Filmography


“VALENTINE’S DAY”

Garry Marshall, director, Mike Karz, Josie Rosen, Wayne Rice and Diana Pokorny, producers, New Line Productions  7-09

“FOUR CHRISTMASES”

Seth Gordon, director, Guy Riedel, Jonathan Glickman, Roger Birnbaum, Gary Barber, producers, New Line Cinema [all Digital  production recordings Direct-to-Disk DEVA format] 12-07

“RUSH HOUR 3”

Brett Ratner, director, Andrew Z. Davis, James M. Freitag, Jay Stern, producers, New Line Cinema[all Digital production recordings Direct-to-Disk DEVA format] 9-06

“MAMA’S BOY”

Tim Hamilton, director, Heidi Santelli, Ravi Mehta, Steven Carr, producers Warner Independent [all Digital production recordings Direct-to-Disk DEVA format] 6-06

“MISSION IMPOSSIBLE 3”

J.J. Abrams, director, Tom Cruise and Paula Wagner, Stratton Leopold, producers C/W Production for Paramount Pictures [all Digital  production recordings Direct-to-Disk DEVA format] 7-05

“THE FAMILY STONE”

Thomas Bezucha, director, Michael London, Jennifer Ogden, producers, Twentieth Century Fox, [all Digital production recordings Direct-to-Disk DEVA format]  2-05

“ELIZABETHTOWN”

Cameron Crowe, director, Paula Wagner, Tom Cruise, producers, Paramount Pictures [all Digital production recordings Direct-to-Disk DEVA format]  7-04

“THE LAST SAMURAI”

Ed Zwick, director, Chuck Mulvehill, Paula Wagner, Tom Cruise, producers, Warner Bros. Picture, Studios [all Digital  production recordings Direct-to-Disk DEVA format]  10-02

• nomination, Academy of Motion Picture Arts and Sciences, 2003 •

“GILI”

Martin Brest, director, Casey Silver, John Hardy, producers Revolution Studios [all Digital production recordings Direct-to-Disk DEVA format]  12-01

“STEALING HARVARD”

Bruce McCulloch, director, Brian Grazer, Susan Cavan producers Imagine Entertainment/Revolution Pictures [all Digital production recordings Direct-to-Disk DEVA format]  4-01

“VANILLA SKY”

Cameron Crowe, director, Jonathan Sanger, Paula Wagner producers, Paramount Pictures, [all Digital productions recordings - Direct-to-Disk DEVA format]    11-00

“RAT RACE” (US portion)

Jerry Zucker, director, Paramount Picture  9-00

“61*

Billy Crystal, director, Bob Colesberry, Billy Crystal producers, HBO Original Pictures [all Digital productions recordings - Direct-to-Disk DEVA format]   6-00

• Emmy nomination, Best Achievment in Sound Mixing, 2001 •

• C.A.S. nomination, Best Achievment in Sound Mixing, 2001 •

“ALMOST FAMOUS”

Cameron Crowe, director, Ian Bryce, Lisa Stewart, producers, DreamWorks, SKG film [all Digital productions recordings - Direct-to-Disk DEVA format]  5-99

• WINNER, British Academy Award, Best Sound •

• nomination Golden Reel Award •

“FIGHT CLUB”

David Fincher, director; Art Linson producer, Twentieth Century Fox production [all Digital productions recordings - Direct-to-Disk DEVA format]  6-98

“THE SEIGE” (Los Angeles portion)

Ed Zwick, director; Linda Obst and Peter Schindler, producers, a Twentieth Century Fox film; [all Digital productions recordings - Direct-to-Disk DEVA format] Los Angeles portion of film  -  4-98

“HURLYBURLY”

Anthony Drazan, director; H. Michael Heuser, Richard Gladstein and David S. Hamburger, producers, a Carol Drive Production [all Digital productions recordings]  12-97

“MY GIANT”

Michael Lehmann, director; Peter Schindler and Billy Crystal, producers, a Castle Rock Picture, [all Digital productions recordings]    6-97

“RED CORNER”

Jon Avnet, director; Jon Avnet and Charles B. Mulvehill, producers, MGM Pictures, [all Digital productions recordings]  3-97

“AS GOOD AS IT GETS”

James L. Brooks, director, James L. Brooks, Richard Sakai and John D. Schofield, producers Tri-Star Pictures,[all Digital production recordings]  9-96

“JERRY MAGUIRE”

Cameron Crowe, director, Bruce Pustin, James L. Brooks, producers, Tri-Star Pictures   [all Digital production recordings]  3-96

“INDEPENDENCE DAY”

Roland Emmerich, director, Dean Devlin, Utt Emmerich and Bill Fay, producers, a Twentieth Century Fox film[all Digital production recordings]  8-95

• nomination, Academy of Motion Picture Arts and Sciences, 1996 •

• nomination, British Academy of Film and Television Arts, 1996 •

“DRACULA – DEAD AND LOVING IT”

Mel Brooks, director, Peter Schindler producer, a Castle Rock Entertainment Picture, [all Digital production recordings]  5-95

“GET SHORTY”

Barry Sonnenfeld, director, Danny DeVito and Barry Sonnenfeld producers, an MGM Picture, [all Digital production recordings]  1-95

“FORGET PARIS”

Billy Crystal, director, Peter Schindler and Billy Crystal producers, a Castle Rock Pictures film, [all Digital production recordings]  9-94

“STRANGE DAYS”

Kathryn Bigelow, director, Steven-Charles Jaffe and James Cameron, producers,  a Lightstorm Entertainment film, [all Digital production recordings]  5-94

“CITY SLICKERS II – THE LEGEND OF CURLY’S GOLD”

Paul Weiland, director, Billy Crystal and Peter Schindler producers, a Castle Rock Pictures film, [all Digital production recordings]  8-93

“A PERFECT WORLD”

Clint Eastwood, director, Mark Johnson producer, a Malpaso Production for Warner  Bros., [all Digital production recordings]  4-93

“ROBIN HOOD – MEN IN TIGHTS”

Mel Brooks, director, Peter Schindler producer, Brooksfilms production for Twentieth Century Fox release [all Digital production recordings] 1-93

“THE VANISHING”

George Sluizer, director, Larry Brezner and Paul Schiff, producers, a Twentieth Century Fox film,  [all Digital production recordings]  4-92

“MR. SATURDAY NIGHT”

Billy Crystal, director, Peter Schindler, producer, Castle Rock  Entertainment picture, [all Digital production recordings]  11-91

“JACK THE BEAR”

Marshall Herskovitz, director; Bruce Gilbert, producer; Twentieth Century Fox picture;  [all Digital production recordings]  4-91

“OTHER PEOPLE’S MONEY”

Norman Jewison, director;  Ric Kidney, producer; Yorktown Productions  for Warner  Bros. release; [all Digital production recordings]  11-90

“CLIFFORD”

Paul Flaherty, director; Larry Brezner, producer for Orion Pictures; [all Digita productio recordings]  8-90

“THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE”

John Bailey, director; Paula Mazur, Lily Tomlin & Jane Wagner,  producers; [all  Digital production recordings]  5-90

“SOUNDS LIKE THE REEL WORLD – CINEMA DIGITAL SOUND”

[demonstration showcase film for the first all Digital Release Print format] Jerry Kramer, director; Alan Kozlowski & Sandra Hay producers a Visualize Production for ORC/Kodak Presentation film; Creative Sound Supervision and digital production sound recordings and post-production supervision;

[all Digital recordings from  production to CDS  digital release print master]  3-90

“GHOST”

Jerry Zucker, director; Steven Charles Jaffe, Lisa Weinstein, Howard Koch producers, Paramount Pictures 7-89

“WAR OF THE ROSES”

Danny DeVito, director;  Doug Claybourne producer,  20th Century Fox  3-89

“EVERYBODY’S ALL-AMERICAN”

Taylor Hackford, director;  Taylor Hackford producer, a New Visions  Picture for Warner Bros.,   1-88

“MEMORIES OF ME”

Henry Winkler, director;  Michael Hertzberg, Alan King producers, MGM Pictures  9-87

“THROW MOMMA FROM THE TRAIN”

Danny DeVito, director;  Larry Brezner and Arne Schmidt producers, Orion, 4-87

“SPACEBALLS”

Mel Brooks, director; Ezra Swerdlow and Mel Brooks producers,  MGM Pictures;  12-87

“TIN MEN”

Barry Levinson, director;  Mark Johnson producer,  Walt Disney Pictures, 6-86

“8 MILLION WAYS TO DIE”

Hal Ashby, director;  Steve Roth producer,  SFR Films  7-85

“SWEET DREAMS”

Karel Reisz, director;  Bernard Schwartz producer

“AGAINST ALL ODDS”

Taylor Hackford, director;  William S. Gilmore producer,  Columbia  Pictures; ‘83

“THE NATURAL”

Barry Levinson, director;  Mark Johnson producer, Tri-Star picture, 8-83

“CREATOR”

Ivan Passer, director; Stephen J. Freidman producer,  Kings Road Productions, 2-84

“THE SLUGGER’S WIFE”

Hal Ashby, director;  Ray Stark producer, Rastar Production for Columbia Pictures  5-84

“LET’S SPEND THE NIGHT TOGETHER THE ROLLING STONES MOVIE”

Hal Ashby, director;  Ronald Schwary producer,  ’82

“LOOKIN’ TO GET OUT”

Hal Ashby, director;   Andrew Braunsberg, Robert Shaffel producers,  Lorimar Telepictures;  4-80

“STAYIN’ ALIVE”

Sylvester Stallone, director;  Robert Stigwood prod.  Paramount Pictures   11-82

“TABLE FOR FIVE”

Rob Lieberman, director;  Bob Schaffel producer,  CBS Theatrical Films   4-82

“THE BLACK MARBLE”

Harold Becker, director;  Joseph Wambaugh producer

“AN OFFICER AND A GENTLEMAN”

Taylor Hackford, director;  Marty Elfand producer,  Paramount Pictures;  4-81

“THE BRINKS JOB”

William Friedkin, director;  Ralph Serpe/ Dino De Laurentis producers

“9 TO 5”

Colin Higgins, director;  Bruce Gilbert producer,  20th Century Fox  film

“BEING THERE”

Hal Ashby, director; Jack Schwartzman,  Andrew Braunsberg producers,   1-79

“FOUL PLAY”

Colin Higgins, director;  Ed Milkis and Tom Miller producers, Paramount Pictures  12-77

“COMING HOME”

Hal Ashby, director;  Jerome Hellman,  Bruce Gilbert producers,   2-77

“BOUND FOR GLORY”

Hal Ashby, director;  Robert F. Blumoff & Harold Leventhal  producers for  United Artists;   7-75

Go To IMDB Listing

In addition to the feature film work, work has been completed on numerous television commercials,  video productions,  music videos and special presentations, documentary and educational films and post-production sound work. Co-founder and Director of Northstar Media Sound Services, 1980 to 1994. Presently continuing work on primarily feature film projects worldwide.

Edit this entry